The cryptic concrete of l’église du Banlay de Sainte Bernadette in Nevers (1963 -1966): Claude Parent and Paul Virilio
Research Group
Estrategias del Proyecto Arquitectónico y Sistemas Culturales GEPASCKnowledge Area
Composición ArquitectónicaPublication date
2019-04-30Publisher
Universidad Politécnica de ValenciaBibliographic Citation
MORENO MORENO, Maria Pura; SOLANO ROJO, Montserrat. El hormigón críptico de l’Église de Sainte Bernadette du Banlay en Nevers (1963-1966): Claude Parent y Paul Virilio. EN BLANCO. Revista de Arquitectura, [S.l.], v. 11, n. 26, p. 105-117, abr. 2019. ISSN 1888-5616. Disponible en: <https://polipapers.upv.es/index.php/enblanco/article/view/11208>. Fecha de acceso: 30 abr. 2019 doi:https://doi.org/10.4995/eb.2019.11208.Peer review
SIKeywords
Claude ParentPaul Virilio
Sainte Bernadette
Nevers
Fonction oblique
Abstract
In French architecture in the second half of the 20th century,
the demand for urban planning, critical of the foundations of the Charter
of Athens, was linked to the Gestalt psychology’s exploration of space. The inheritance of teachers such as A. Perret and Le Corbusier regarding the use of concrete as a fetish material of modernity was added to by proposals by architects like Claude Parent who sought the revaluation of his expressive properties, both visually and to the touch, and the sensory implications when referring to the imbalance of living. This article will analyze L’Église de Sainte Bernadette du Banlay in Nevers (1963-1966), built by Claude Parent under the “The Fonction Oblique” criteria of the Architecture Principe group, while abiding by the characteristics of the architecture of the bunkers of
the Atlantic Wall investigated by one of members of this group - the urban planner philosopher, Paul Virilio. Parameters concerned with emplacement, circulation, function, space ...
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