Espacio versus pintura mural: Felix Aublet y Robert Delaunay en el Pabellón del Aire de la Exposición Internacional de Paris, 1937
Author
Moreno Moreno, María PuraResearch Group
Estrategias de Proyectos Arquitectónicos y Sistemas CulturalesKnowledge Area
Expresión Gráfica ArquitectónicaPublication date
2018-05Bibliographic Citation
MORENO MORENO, María Pura. Espacio versus pintura mural: Felix Aublet y Robert Delaunay en el Pabellón del Aire de la Exposición Internacional de Paris, 1937. EGA Expresión Gráfica Arquitectónica, [S.l.], v. 23, n. 33, p. 240-249, jul. 2018. ISSN 2254-6103. Disponible en: <https://polipapers.upv.es/index.php/EGA/article/view/9137>. Fecha de acceso: 06 dic. 2018 doi:https://doi.org/10.4995/ega.2018.9137.Keywords
Palais de L'AirExhibition 1937
Felix Aublet
Robert Delaunay
Localization
Abstract
This article deals with the link between architecture and murals in the Palais de l’Air at the International Exhibition of Art and Techniques
that took place in Paris in 1937. In
the entrance hall, concepts such as dynamism and simultaneity were transferred to a spatial and artistic concept by the art group Art et Lumière, led by the painter Robert Delaunay and the architect Felix Aublet. The wonder experienced
at the progress made in aero dynamism in this historic context drove the passing of the pictorial
to the architectural with the aim
of abolishing measurable space, turning its role from a Cartesian one to a phenomenological one, thus favouring the ubiquity of architecture.
Collections
- Artículos [1738]
The following license files are associated with this item:
Social media