Fernand Léger: Pared-arquitecto-pintor. Cromatismo espacial
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URI: http://hdl.handle.net/10317/8843Compartir
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Estrategias del Proyecto Arquitectónico y Sistemas CulturalesÁrea de conocimiento
Composición ArquitectónicaFecha de publicación
2019-05-01Cita bibliográfica
MORENO MORENO, María Pura. ”Fernand Léger: Pared, Arquitecto-Pintor. Cromatismo Espacial” Revista RITA 11, Mayo 2019, P.166-177. ISSN: 2340-9711 e ISSN: 2386-7027 . Disponible en http://ojs.redfundamentos.com/index.php/rita/article/view/421Revisión por pares
siPalabras clave
Fernand LégerArquitectura
Pintura mural
Pintura espacial
Cromatismo
Resumen
Fernand Léger’s painting coincided together intermittently with aspects of modern architecture such as the harmonious relationship between volumes, lines and colors. His choosing of the mural as opposed to easel painting allowed him to include factors like weight, contrast or chromatic balance in his work. He was of the opin- ion that all of these aspects, coupled with others of a more social nature, such as utility, should govern future artistic value, without forgetting to make the most of the successful experiences of the past. This article will analyze the evolution of his most synergetic creations in architecture, addressing both his thoughts as a prolific writer and the bringing to life of these thoughts in his painting. This double reading makes it easier, from a spatial approach, to identify elements of innovative architectural experimentation, such as the flexible wall, the elastic wall or the color associated with both constructive and vital characteristics, on relating them ...
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