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dc.contributor.authorMoreno Moreno, María Pura 
dc.contributor.authorSolano Rojo, Montserrat 
dc.date.accessioned2019-05-03T07:11:16Z
dc.date.available2019-05-03T07:11:16Z
dc.date.issued2019-04-30
dc.identifier.citationMORENO MORENO, Maria Pura; SOLANO ROJO, Montserrat. El hormigón críptico de l’Église de Sainte Bernadette du Banlay en Nevers (1963-1966): Claude Parent y Paul Virilio. EN BLANCO. Revista de Arquitectura, [S.l.], v. 11, n. 26, p. 105-117, abr. 2019. ISSN 1888-5616. Disponible en: <https://polipapers.upv.es/index.php/enblanco/article/view/11208>. Fecha de acceso: 30 abr. 2019 doi:https://doi.org/10.4995/eb.2019.11208.es_ES
dc.identifier.issn1888-5616
dc.description.abstractIn French architecture in the second half of the 20th century, the demand for urban planning, critical of the foundations of the Charter of Athens, was linked to the Gestalt psychology’s exploration of space. The inheritance of teachers such as A. Perret and Le Corbusier regarding the use of concrete as a fetish material of modernity was added to by proposals by architects like Claude Parent who sought the revaluation of his expressive properties, both visually and to the touch, and the sensory implications when referring to the imbalance of living. This article will analyze L’Église de Sainte Bernadette du Banlay in Nevers (1963-1966), built by Claude Parent under the “The Fonction Oblique” criteria of the Architecture Principe group, while abiding by the characteristics of the architecture of the bunkers of the Atlantic Wall investigated by one of members of this group - the urban planner philosopher, Paul Virilio. Parameters concerned with emplacement, circulation, function, space and the integral construction with concrete will allow for the revelation of whether the doctrine of “oblique architecture” bound it to fulfilling a religious function or if the alloy in the assimilated materiality of the bunkers was his answer to a coherent conception and spatial construction.es_ES
dc.formatapplication/pdfes_ES
dc.language.isoenges_ES
dc.publisherUniversidad Politécnica de Valenciaes_ES
dc.relation.urihttps://polipapers.upv.es/index.php/enblanco/article/view/11208/11296es_ES
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/*
dc.titleThe cryptic concrete of l’église du Banlay de Sainte Bernadette in Nevers (1963 -1966): Claude Parent and Paul Virilioes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.subject.otherComposición Arquitectónicaes_ES
dc.subjectClaude Parentes_ES
dc.subjectPaul Virilioes_ES
dc.subjectSainte Bernadettees_ES
dc.subjectNeverses_ES
dc.subjectFonction obliquees_ES
dc.identifier.urihttp://hdl.handle.net/10317/7740
dc.peerreviewSIes_ES
dc.contributor.investgroupEstrategias del Proyecto Arquitectónico y Sistemas Culturales GEPASCes_ES
dc.identifier.doi10.4995/eb.2019.11208.
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.versioninfo:eu-repo/semantics/publishedVersiones_ES
dc.subject.unesco6201 Arquitecturaes_ES


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