Show simple item record

dc.contributor.authorMoreno Moreno, María Pura 
dc.coverage.spatialeast=2.3522219000000177; north=48.856614; name=60 Rue de Rivoli, 75004 Paris, Franciaes_ES
dc.identifier.citationMORENO MORENO, María Pura. Espacio versus pintura mural: Felix Aublet y Robert Delaunay en el Pabellón del Aire de la Exposición Internacional de Paris, 1937. EGA Expresión Gráfica Arquitectónica, [S.l.], v. 23, n. 33, p. 240-249, jul. 2018. ISSN 2254-6103. Disponible en: <>. Fecha de acceso: 06 dic. 2018 doi:
dc.description.abstractThis article deals with the link between architecture and murals in the Palais de l’Air at the International Exhibition of Art and Techniques that took place in Paris in 1937. In the entrance hall, concepts such as dynamism and simultaneity were transferred to a spatial and artistic concept by the art group Art et Lumière, led by the painter Robert Delaunay and the architect Felix Aublet. The wonder experienced at the progress made in aero dynamism in this historic context drove the passing of the pictorial to the architectural with the aim of abolishing measurable space, turning its role from a Cartesian one to a phenomenological one, thus favouring the ubiquity of architecture.es_ES
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España*
dc.titleEspacio versus pintura mural: Felix Aublet y Robert Delaunay en el Pabellón del Aire de la Exposición Internacional de Paris, 1937es_ES
dc.subjectPalais de L'Aires_ES
dc.subjectExhibition 1937es_ES
dc.subjectFelix Aubletes_ES
dc.subjectRobert Delaunayes_ES
dc.subject.otherExpresión Gráfica Arquitectónicaes_ES
dc.contributor.investgroupEstrategias de Proyectos Arquitectónicos y Sistemas Culturaleses_ES
dc.subject.unesco6201 Arquitecturaes_ES

Files in this item


This item appears in the following Collection(s)

Show simple item record

Atribución-NoComercial-SinDerivadas 3.0 España
Except where otherwise noted, this item's license is described as Atribución-NoComercial-SinDerivadas 3.0 España