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dc.contributor.authorMoreno Moreno, María Purificación 
dc.coverage.spatialeast=2.295145400000024; north=48.8660811; name=34 Avenue d'Iéna, 75116 Paris, Franciaes_ES
dc.date.accessioned2018-12-10T11:49:40Z
dc.date.available2018-12-10T11:49:40Z
dc.date.issued2018-06
dc.identifier.citationMORENO, María Pura: “Jaromir Krejcar, la apología de la Técnica. El pabellón de Checoslovaquia en la Exposición Internacional de París de 1937”. Revista RITA nº 9, Mayo 2018, ISSN:2340-9711, e-ISSN 2386-7027, pp-134-143.es_ES
dc.identifier.issn2386-7027
dc.description.abstractL'Exposition Internationale des Arts et Techniques dans les Temps Modernes in Paris (1937) offered, across the construction of their pavilions to each country the opportunity to materialize their technological progress and also to show socio-political factors referred to the art’s integration or aesthetic formalization of their ideologies. In the Czechoslovakian pavilion, made by the architect Jaromir Krejcar, crystallized architectural postulates from the purism, cubism, and new objectivity close to technical aspects driven by the russian constructivism that had been developed during the first decades of the twentieth century in the architecture of the new Czech Republic. Its geographical location, at the crossroads of Europe, had favored the knowledge of avant-garde movements of its two flanks: the Eastern Europe –France, Germany, Austria and Netherlands- on one hand, and the other the Soviet Union. This article will recognize the architectural thought of Krejcar’s generation across the decisions of the pavilion’s project. The characteristics of its emplacement, combined with the moral obligation of showing the high technological level of his country, managed to place it as one of the best examples of that exhibition. Its materialization represent the culmination of previous architectural researches in Czechoslovakia that were truncated from 1939 by the political circumstanceses_ES
dc.formatapplication/pdfes_ES
dc.language.isospaes_ES
dc.titleJaromir Krejcar, la apología de la Técnica. El pabellón de Checoslovaquia en la Exposición Internacional de París de 1937es_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.subject.otherComposición Arquitectónicaes_ES
dc.subjectExposition 1937es_ES
dc.subjectPoetismes_ES
dc.subjectConstructivises_ES
dc.subjectTechnologyes_ES
dc.subjectJaromir Krejcares_ES
dc.subjectPabellón Checoslovaquia,es_ES
dc.identifier.urihttp://hdl.handle.net/10317/7505
dc.peerreviewsies_ES
dc.contributor.investgroupEstrategias de Proyecto Arquitectónico y Sistemas Culturaleses_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.type.versioninfo:eu-repo/semantics/publishedVersiones_ES
dc.subject.unesco6201 Arquitecturaes_ES


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